Manfred Deix, the man who captured Austria’s soul

Famous Austrian Cartoonist Manfred Deix died in the hospital on Saturday after a long battle with severe illness.

Manfred Deix, the man who captured Austria’s soul
Photo: A sample of the work of the late cartoonist

The caricature artist died at the age of 67, after suffering a cardiovascular collapse last September due to his life-long smoking habit.

He is a household name in Austria and was famous among the public for perfectly capturing the Austrian “soul”.  He also influenced many other Austrian cartoonists.

“I can not image a world without Manfred Deix, with whom I was connected with my whole life. I will miss him infinitely,” fellow artist and friend Gottfried Helnwein wrote in a press statement.

Deix worked mostly in watercolour. His work was very critical and often discussed taboo subjects. His work served as social criticism and aimed to uncover institutional or personal misconduct.

He was particularly critical of the far-right politician Jörg Haider, whom he often depicted as Hannibal Lector or a tiger.

“Manfred Deix was one of Austria’s best artists. There were and are many taboos and uncomfortable truths that we couldn’t talk about and Deix opened our eyes with his images,” says Caricature Museum Krems Director Gottfried Gusenbauer in a press release.

The characters of his cartoons, ‘Deixfiguren’ were so famous that they became a proverb and were even added to the Duden, the dictionary of the German language.

His work has been published in multiple magazines, like ’profil’, ‘stern’ and ‘Spiegel’, starting in 1972.

Deix was born in St.Pölten in 1949 and loved drawing even as a young child. His parents owned a local public and wanted him to run the pub when he was older, but he had other plans.

At the age of six, he got in trouble for selling nude drawings to fellow classmates.

A few years later at the age of 11 when he sent a cartoon to the ORF for a drawing contest, he was disqualified due to the fact that they wanted drawings “from children, not adults or professionals”.

Deix was instrumental in the founding of the caricature museum in Krems in 2001, the only museum for image satire and critical graphics in Austria, where to this day he is honoured with an exhibit of his work.

Staff at the museum said in a press release that they are deeply affected by his death and are mourning the loss. “With him the Austrian caricature and drawing scene loses one of the most critical and influential artists of our time,” they wrote.

Written by Helena Uhl

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Move over Mickey: Donald Duck is king in Germany

Mickey Mouse may be Disney's top star in most parts of the world, but in Germany Donald Duck reigns. More than 50 years after the cartoon featuring the hot-tempered duck arrived in the land of Goethe, it remains one of the bestselling comic titles at the newsstands.

Move over Mickey: Donald Duck is king in Germany
File photo: DPA.

Generations of children grew up with the so-called Lustiges Taschenbuch (which translates as Funny Paperback) featuring the cantankerous Donald and family – including his rich but miserly uncle, Scrooge McDuck, who swims in gold coins, and his three mischievous nephews, Huey, Dewey and Louie.

Many adults are still hooked, and are known as Donaldists. These hardcore fans gather regularly to pore over and dissect the latest comic together, noting inconsistencies in the colourful drawings between editions or to ask probing questions about the solar system in Donald's world.

File photo: DPA.

“We Donaldists assume that Duckburg really exists, and we ask ourselves questions on all kinds of details from the adventures of the Duck family, which for us are not made-up stories but factual reports,” said Alexander Poth, 46.

“All discrepancies in these reports are examined scientifically by our members, and the results are published in our trade magazine, 'The Donaldist', and presented and discussed at our annual congress,” added Poth, who encountered his first Lustiges Taschenbuch (LTB) at age two.

Poth is a member of the group D.O.N.A.L.D (the German Organisation of non-commercial members of Donaldism), which organizes the annual conference.

Not bad for a duck from across the pond, which landed in Germany at a time when the country viewed American comic imports suspiciously as potential corrupters of youth.

Teaching Donald to quack 

Even Erika Fuchs, the woman credited with popularizing Donald in Germany, was horrified when first tasked by her editor with translating the cartoon.

But she took on the job, and changed Carl Barks's fictional city of Duckburg forever.

Rather than a straight translation of the cartoons, Fuchs set them in the southern German region of Upper Franconia, complete with typical Bavarian farmhouses and bakeries.

She gave the ducks German names and Germanic manners of speaking – the elderly Scrooge (known as Dagobert in German) is the pedantic duck who knows every single German verb conjugation, while Donald swings between angry tirades and the poetic verses of Schiller and Goethe.

Fuchs “taught Donald to quack” – in German at least, said the Museum for Comic and Speech Art, also known as Erika Fuchs House, in Bavaria.

At a time when magazine sales are floundering, newstands still devote several shelves to the comic, including the latest copies, special editions and older editions.

Christian Behr, sales director at publisher Egmont Ehapa, said five million copies of LTBs are sold annually, or an average of around 420,000 a month. The 500th edition was published this week.

And around half of the readers are over 16.

“Those in the age group of over 25 make up our core readership. This group also includes our faithful collectors,” said Behr.

So engrained is Donald's world in the German psyche that “Duckburg stays stable” (Entenhausen bleibt Stabil) counts among punk band Die Toten Hosen's numbers.

Bernd Dolle-Weinkauff, an expert on graphic novels at the Goethe University in Frankfurt, noted that the handy paperback format of the comic, plus the wide range of Disney cartoons proved a lasting winning formula.

But the Germans' obsession with the duck cannot be explained away by marketing, he said.

“It's not a question of marketing but perhaps a question of a particular kind of mentality in Germany. That should be investigated,” he said.

German mentality?

“In contrast to Mickey Mouse, Donald Duck is the forever unlucky ducky. He's a loser, but also someone who never gives up,” said Dolle-Weinkauff.

“People are keen to see how he always manages to solve his problems, and what crazy ideas he comes up with.”

In fact, Donald is “exactly the opposite” of the “foreign conceptions of the German mentality – of these Prussian officials, soldiers, disciplined people who are always orderly,” noted the professor.

“So this stereotype of Germany stands corrected here. I think that needs to be acknowledged. Because he (Donald) won't be so well-liked. In any case, Germans view themselves differently,” he said

Poth, who has a collection of more than 700 LTBs, agreed that Donald's often ruffled feathers draw readers.

“He's not perfect and that's what makes him so likeable for us, and we often laugh about ourselves when we laugh about Donald Duck,” he said.

“Mickey often comes across as the know-it-all. And that's just not popular in life as it makes people envious,” Poth added.

“We feel better next to Donald, because we simply come out better than when we're put next to Mickey.”