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Sweden-based UK artist draws on Darwin for Stockholm exhibition

An exhibition of British artist Richard Sexton’s latest images is currently in the Mornington Hotel lobby in Stockholm.

Sweden-based UK artist draws on Darwin for Stockholm exhibition

Richard Sexton has a name he can play with. Luckily, he also plays with images.

The theme of his current exhibition at the Mornington Hotel on Nybrogatan is Darwin, the Light of Reason and the Pursuit of the Marvellous. It’s the playful Darwin: discoveries and unexpected juxtapositions.

The works are oil pastel drawings, juggling the definition with paintings. Many incorporate handwritten messages – a sort of ‘BTW’ to make you forget medium modes.

Here’s Vladimir Nabokov, splashed in oil pastels, a summer snapshot of a tentative father’s hand on his son’s shoulder. Beside them, in clear, casual script is: “Je suis dépaysé, partout et toujours.” It’s a sentiment that many of us share, and Nabokov is saying it’s a proud profession.

The frames are hung in the Mornington’s glassy lobby, backs turned to Östermalm’s scurrying well dressed. Once in the bookshelf-lined lobby you think you’re in the hotel’s library. Actually you don’t of course, but I like the theme. A central pillar has cleverly become a pillar-bookshelf.

Inside, Richard Sexton’s frames now compete with the outside parade, but since you have to go close to read the frequent drawn messages or book titles (harmonising accidentally with the lobby, a second theme is book covers), you don’t notice middle distance.

On one drawing of a book cover, an African woman crooks a knee and smiles, sunny red dress and big hat beaming with her. The name of the book is Standing Dreaming. (The drawing of book covers leads you down another path to another medium — a third theme.)

Sexton suggests that the woman is dreaming of becoming president or prime minister. The power of aspiration is everywhere.

Richard Sexton’s earlier work was mostly with hand-made pigment paints. Inspiration has taken him often to Asia, Africa and, in one wild flight of inquisitiveness, to the desert outside Geraldton on the windswept heat of the Western Australian coast.

Bugs and beetles abound in the drawings, dying to tell us stories about nature. But “Ceci n’est pas un conte,” cautions one drawing. Another shows fragments of Rugosa fossil (an extinct order of coral) and a fig – and it’s Fårö Island! Fig trees on Gotland? Don’t get Sexton started on the shifting tectonic plates. Or rather, do, because you’ll be listening to that same joy of discovery so clearly visualised in his pictures.

Sexton and his partner Miriam were on Fårö looking for the legendary hidden Engelska kyrkogården. Fårösund was a British naval base during the Crimean war in the mid-19th century. A few English seamen were hastily buried there, and almost forgotten, after succumbing in a cholera epidemic.

It’s an exhibition of bright juxtapositions, thematic and visual. Plus richness, fun and quirky wisdom.

Were there sixteen paintings? I didn’t count.

By Kim Loughran, whose book, The Year in Sweden, is on sale now at the AdLibris online bookstore.

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ART

Paul Gauguin’s ‘Mata Mua’ returns to Spain

One of French painter Paul Gauguin's most famous paintings, "Mata Mua", will return to a Madrid museum on Monday following an agreement between the Spanish government and its owner, who took it out of the country.

mata mua madrid
Toward the end of his life, Gauguin spent ten years in French Polynesia, where he completed some of his most famous artwork Painting: Paul Gaugin

The artwork had been on display for two decades at Madrid’s Thyssen-Bornemisza museum but in 2020 when the institution closed because of the pandemic, the painting’s owner Carmen Thyssen moved it to Andorra where she currently lives.

Her decision to take “Mata Mua” to the microstate sandwiched between Spain and France raised fears she would remove other works from her collection which are on display at the museum.

“It is expected that the painting will arrive today,” a spokeswoman for the museum told AFP.

mata-mua_gauguin-madrid

In 1989, Baron Thyssen-Bornemisza bought Mata Mua at the Sotheby’s auction in New York. Painting: Paul Gauguin

The artwork will go back on display to the public “a few days after” Thyssen signs a new agreement with the Spanish state for the lease of her collection, she added. The deal is expected to be signed on Wednesday.

Painted in 1892 in vivid, flat colours, “Mata Mua” depicts two women, one playing the flute and the other listening, set against a lush Tahitian landscape.

It is one of the stars of Thyssen’s collection of several hundred paintings which are on show at the museum, including works by Pablo Picasso, Henri Matisse and Claude Monet.

Her collection had initially been displayed at the Madrid museum as part of a free loan agreement signed in February 2002 that was subsequently extended.

But in August 2021 Spain’s culture ministry announced it had reached an agreement with Thyssen to rent the collection from her for 15 years for €97.5 million ($111.5 million), with “preferential acquisition rights on all or part” of the works. The collection includes a Degas, a Hopper and a Monet.

Aside from housing her collection of works, the museum displays the collection of her late husband, Hans Heinrich Thyssen-Bornemisza, the Swiss heir to a powerful industrial lineage who died in Spain in 2002.

The Spanish state bought his collection in 1993 from $350 million, according to the museum.

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